On this day his message was lengthy. He painstakingly described, with repetition, the process by which passengers would be transported from ship to shore. The ship was anchored out in open water, in an inlet that was part of the Amazon delta area.
Many passengers had paid for excursions to the large city of Belem and scenic areas near it. But first they had to take “tender boats” from the ship over to the small town of Icoraci, where chartered buses would take them on an hour’s ride inland.
A tender boat is slightly smaller and faster than a lifeboat, with a huge capacity difference -- a tender holds about 75, the life boat holds 150. The tenders are used when the water is too shallow for the ship to dock, and this happens frequently on the present itinerary of small Brazilian places.
Tender rides are fun, but it’s a long process. It takes time for people to get down these makeshift aluminum staircases from the hatchway down to the water and into these boats bobbing up and down, and more time for them to get off at the shore.
Plus the ride itself, which in this case was 20 minutes. Obviously 1200 passengers can’t all leave at the same time, so there’s a complicated system of yellow tickets, purple tickets, numbered tickets etc, prioritizing and organizing everybody, deciding who rides first, etc. Basically, excursion people are first, later on the non-excursion passengers, and lastly, crew.
Many hours would pass before I could get off the ship on this day. Feeling a little creative and antsy, I wandered around with my camera.
Out on the deck, watching the tenders coming and going, I noticed two distinct colors to the water, one brown, one blue. It was as if two bodies of different waters were colliding, without being able to mix. The borders between the blue and brown sections were distinct, and constantly shifting.
Wandering further around the ship I found a rehearsal going on in the Main Showroom. It was a cast show called Street Singing, which they do once per cruise. It features 4 of the ship’s cast, acting as young guys hanging out on a street corner in Bronx or Philadelphia or wherever, doing lots of intricate harmony work, also lots of energetic choreography. The show also spotlights two guys from the orchestra, dressed in street clothes -- a “street sax player” leaning on a lamp post most of the time, and a percussionist doing an amusing and energetic performance on garbage cans and hub caps on the left side of the stage. It’s just these 6 people, performing along with pre-recorded tracks -- I suppose the presence of the rest of the orchestra would ruin the “street” feel of the show.
It was Easter Sunday, pretty much unnoticed on the ship -- no jelly beans or chocolate bunnies, no egg coloring, no Judy Garland and Fred Astaire on Fifth Avenue, no Easter bonnets, no new suit of clothes from my mom and dad…
...but in the little town of Icoraci, a waterfront stroll took me to an interesting and artsy sculpture of a cross, set up at a scenic spot. It was a permanent fixture, but very appropriate and attractive for this particular day.
On the tender boat ride back, I got a good photo of the typical Holland America demographic.
They won coffee mugs with the Veendam logo on it. Whoopee. There was a recent delivery of these mugs, 8 big boxes of them, so we now have over 300 of them to hand out. Seems like a lot, but they go fast with all the trivia contests on the ship.
Back in the cabin by 12:30 AM, a fairly early night. I turned on the cabin TV, checking the movie menu for the next 24 hours. There’s been a pretty regular rotation for the past 5 months, and once again, for about the tenth time in those 5 months, Channel 35 was running “Troy” with Brad Pitt, alternating with Tom Hanks’ “Castaway”.
I love the “Troy” movie. First of all I was quite familiar with the storyline, having read the Greek Mythology stuff back in college. But the moviemakers took small liberties here and there, to tighten up the plot, and made the whole thing very compelling on film. Gods, patriotism, courage, greed, selfishness, love, honor, Immortality, brutal combat with swords and spears, and of course the pesky question What the Hell Am I Fighting For ?
They used a lot of British and Aussie actors. There’s something about the proper King’s English that gives a lofty and important tone to everything said by these ancient Greeks, even the villains, and especially the heroes. It also worked great in “Gladiator” with Russell Crowe and Richard Harris. Yes, yes, I’m a sucker for this kind of thing.
Which has absolutely nothing to do with my gig here on the Veendam. Easter is over, Duke won the NCAA tournament, Tiger is back golfing at the Masters, baseball is underway. The only April Fool joke was an announcement by Cruise Director Chris about bunji jumping from the ship’s funnel….
….and there’s only 27 days left. The end of this 6-month contract is near, and it’s further proof of how time flies, as if there wasn’t enough proof already.
At this point you’re certain that you’ve succeeded, the paranoia dissipates, you feel more relaxed on and off the job. You get a little closer to the handful of people that have really turned out to be friends, and you step back from the others. You evaluate everything -- you see what went well and what didn’t, what was and wasn’t important, what you should do to finish with a flourish, and hopefully -- with this new chunk of experience under your belt, what you could or should be doing next.
4 comments:
What a beautiful cross! And those Brazilian people . . . Sounds like the overall experience has been amazing. The Veendam has been lucky to have you.
You might want to try Fugue for Tin Horns from Guys and Dolls.
Another one is the Poor People of Paris or Petticoats of Portugal
Memory from Cats, most will write plural, Memories.
To Ginny --
In the grand scheme of things, I have been quite lucky to have the Veendam. And the Maasdam, Ryndam, Amsterdam, and many others places to entertain (including a huge chunk of Canada !!)
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